Showing posts with label expressive portraits. Show all posts
Showing posts with label expressive portraits. Show all posts

Wednesday, August 20, 2014

Paint Your Own Masterpiece


Frida Kahlo, Self Portrait
Painted Palette Fine Art Studio and Art Gallery

824 Tenth Street, Huntington, WV 25701

304-416-2081


Paint your own Masterpiece!


Paint your image in a famous portrait painting from history. You will analyze how the master worked and also learn from the master. It’s a very exciting project and you will paint your own masterpiece.

Paint you own Masterpiece
Class - Saturday 11-AM-2 PM

Classes are open registration, which means you can join the oil painting class at any time, but you must register for the class, seating is limited.paintedpaletteartstudioblogspot.com





Vincent van Gogh, Self Portraiti
General Oil Painting Class
Monday, 6-9 PM

*Registration- Open - You can join the Oil Painting class at any time, but you must register for the class, seating is limited. At this time there is (3) - three openings remaining for this class. For more information and to register for the class email  paintedpaletteartstudioblogspot.com. 



Portrait Painting
Saturday -  11 AM-2 PM 

*You can join this class anytime, but you must register for the class, seating is limited.
For more information and to register for the class: paintedpaletteartstudioblogspot.com. 






*(This is an open class, which means you can register at anytime, providing the class is available and is not filled) .


We accept all Credit Cards











Tuesday, July 1, 2014

Rembrandt


Rembrandt van Rijn, “Self-Portrait,” 1659, oil on canvas

Rembrandt's portraits' have a familiarity that speaks to us across the centuries. We understand the characters in his paintings because we can identify with their humanity. Rembrandt achieved an almost unprecedented level of success, with many wealthy and influential clients. His work captures a sense of individual spirit and profound emotional expressiveness, qualities for which he was celebrated in his time. In this self-portrait, the thick impastos and bold strokes he used to model his face create the dynamic vigor of the head. He has allowed a greenish gray under layer to read as the shadowed area around the eyes. The firmness of his touch is accented by the wiry rhythms in his mustache and in the hair protruding from under his beret, which he has delineated by scratching the wet paint with the blunt end of his brush.